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  • City Pages

    "Governor No"

    Minnesota's Tim Pawlenty grooms himself for vice-presidential consideration--by being a jerk.

    By Jonathan Kaminsky

  • Miami New Times

    Day Strippers

    Our reporter sets out in search of a naked lunch.

    By Janine Zeitlin

  • Broward-Palm Beach New Times

    Switch Hitter

    Before swinging a bat in a lesbian softball league, pick a side: gay or straight?

    By Amy Guthrie

  • Village Voice

    Death in the Skies

    At JFK, Erhan Yildirim clears corpses for takeoff.

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Capsule reviews of current area theater presentations

Continued from page 1

Published on May 07, 2008

This Is How It Goes The first play at this new venue embodies many of the strengths, and a couple of the weaknesses, of this company, which is committed to producing plays never before seen in Ohio. It's structured around a romantic triangle involving an interracial married couple and a male friend, referenced pretentiously as "Man." All three attended high school together 10 years earlier, and the play seeks to use their interrelations to address race, prejudice, and the scummy underside of the male psyche. This production wrings plenty of tension from the conversations among the three characters, as Belinda (a smart and compelling Leighann Niles DeLorenzo) confesses her shallow reasons for marrying and bearing children by African American athlete-turned-businessman Cody: "I got a thrill walking through Wal-Mart with my two brown children in tow." But Cody, portrayed by Michael May in a well-modulated performance, has become distant and perhaps abusive. Uncertainty arises from the playwright's device of establishing the Man as an admittedly undependable narrator and (could it be?) a closet racist. This "maybe-maybe not" conceit becomes tiresome — even in the capable hands of Doug Kusak, who gives Man a friendly, accessible demeanor. It all leads up to a slimy scheme, cooked up by the guys, that feels artificial and out of character. But there are enough sparks lit along the way to maintain interest, if not total credibility. Through May 10 at The Bang and the Clatter Theatre, 210 Euclid Ave., 330-606-5317. — Howey

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